Mandagon and Baezult

Mandagon purports to be loosely based on Tibetan philosophy. My knowledge of that is limited to slogans seen on bumper stickers and t-shirts, so I’m not exactly an expert on it. Something about free betting or something like that. The basis sets up a no-fail-condition, combat-free platform adventure where you learn the value of sacrifice. There’s really not a whole lot of game here, and the story bits are told in rhymes that I think are meant to sound deep, but really just made me giggle. When I finally got what the story was supposed to be about, I actually felt bad for the developer. Mandagon is too minimalist for its own good. I know minimalism is all the rage in Indieland, but not every story you want to tell is suitable for it. That’s the case here. Even the use of a totem as the player-character makes it impossible to feel any connection to the plot. Don’t get me wrong. The foundation of something really good is laid here. Solid platform controls, a decent fetch quest, and beautiful 2D pixel art (not to mention being a freebie) make this worth a look. And a brief look at that, as you should be able to finish Mandagon in under thirty minutes. I’m giving it my Seal of Approval because I enjoyed the exploration and gameplay. The developers couldn’t have botched telling a story more if they had tried to use smoke signals to deliver the Song of Hiawatha to a blind man.

After renouncing crime, the Riddler became an advocate for organ donation.

Screen from Mandagon. After renouncing crime, the Riddler became an advocate for organ donation.

Another free-to-play title I checked out was Baezult. It forgoes any pretense of depth or meaning and instead just aspires to be a fun little puzzler/punisher. It does start out fairly fun, with some borderline inspired puzzles that I would have appreciated a lot more if the controls weren’t looser than Gary Busey’s grip on reality. In general, I’m not a fan of punishers, but at least Baezult avoids a lot of my pet-peeves. Rooms are (mostly) short, so if you die you don’t have to replay too much. The time between death and restarting is quick, so there’s almost no down time between the agony. My two biggest issues are as follows: (1) sometimes Baezult asks for precision placement of items like dynamite to clear blocks, but the method for throwing it out is anything but precise, necessitating a few replays. (2) The game relies far too much on timing-based movement with objects falling far too fast and your controller being far too floaty.

Falling objects fall too fast to really get a feel for timing. Maybe if the controls had been tighter it wouldn't be as bad, but really, the dev should maybe think about dialing the speed of any moving trap back a notch.

Screen from Baezult. Falling objects fall too fast to really get a feel for timing. Maybe if the controls had been tighter it wouldn’t be as bad, but really, the dev should maybe think about dialing the speed of any moving trap back a notch.

But honestly, this is one of the few punishers with bad controls I’ve played at IGC that I kind of dug. Maybe because it’s the only game I’ve reviewed that has married puzzles (one of my favorite genres) with a punisher (one of my least favorites) and the puzzles are actually worth playing through. In fact, Baezult was only tighter play-control away from possibly cracking the top 100 on the IGC Leaderboard. And hey, again, it’s free! Baezult is worth a look, even if it sounds like something a Frenchman says to you when you sneeze.

MandagonI don’t know why each of these developers decided to make their games free. Look, we all like getting free stuff, and yea, people are more likely to enjoy something they got for free than they are if they have to pay for it. That’s one of the main reasons I pay for all the games I play at Indie Gamer Chick. For me at least, I think it helps me to focus on the value of a game. While I enjoyed both Mandagon and Baezult, maybe I wouldn’t have liked them as much if I paid for them. I don’t know. I do know that, as flawed as both are, the developers clearly worked hard on both and I can’t really justify the lack of a price tag on either. BaezultThis goes to all developers whether I’ve liked your games or not: the vast, vast majority of you work hard on your projects. Your time is worth some money. Hell, throw a $1 price tag up. Something. Anything. Even if you feel you don’t need the money, just save it up so that you’ll have a war chest for the future and might not need to turn to something like Kickstarter just to get a title screen on your future projects. Or put a buck on it and give the money to a charity like, say, one that provides resources and education towards the ongoing fight against epilepsy that might some day make a certain moderately popular indie critic be able to watch fireworks without having a seizure. Just sayin’.

igc_approved1Mandagon was developed by Blind Sky Studios and is free on Steam.

Baezult was developed by Atapki and is free on Steam.

Both games are Chick-Approved and Ranked on the Indie Gamer Chick Leaderboard.

You Have to Win the Game

You Have to Win the Game is the prequel to Super Win: The Game. Before I go any further, let me first congratulate J. Kyle Pittman on coming up with one of the most unwieldy names I’ve seen at IGC. It’s awkward to type and speak, which means the game will inherently struggle with spreading via word of mouth. Remove the “You Have to” part, add a colon, and just call it “Win: The Game.” Still a crap name (so is Super Win, quite frankly), but at least it’s easy to relay the title from one person to the next.

I am NOT up there!

I am NOT up there!

Anyway, I liked Win: The Game more than its super counterpart. Both titles attempt to pay tribute to classic gaming platforms. Super was focused on the NES, a platform I had little nostalgia for. This one is a tribute to old 80s personal computers, something I have even less fondness of. I’m not the target audience of games like these, so my fondness for them might say something profound about their quality. Win: The Game has similar power-ups to Super, but eliminates all the bullshit. There’s no overworld map that breaks up the action. The game is much more focused on precision platforming, and that tighter focus led to better level design.

It’s sort of hard to pick apart a game that costs no money. It’s even tougher when that game has few flaws. It’s not a big game. It took me about an hour to beat (I clocked in at 90 minutes, but that included leaving the game running while I ran errands, a bad habit of mine that I really need to stop), which isn’t especially deep. But then again, it has a lot of extra modes and achievements for multiple play sessions. The biggest omission is the lack of a map. I’m not sure what Pittman has against maps. Maybe as a child, his family left the opera early and was ambushed by a map in a back alley. Maybe a map forced him to play Russian Roulette in a Korean P.O.W. camp. Both Win and Super Win would have benefited hugely from having some kind of map on-screen, and both games suffer the needless tedium of aimless wandering by excluding one.

I super won.

I super won.

Oddly enough, the thing that strikes me most about Win is that it could have cost money and doesn’t. This is a quality title that costs nothing. Sure, being free served some purpose. It got J. Kyle Pittman’s name out there and built up hype for his future projects. Still, considering all the lazily produced garbage out there that costs $2.99, a genuinely fun game for free is sort of startling. Maybe he is an artist and just wanted people to appreciate his work, and goody on him for that. But he could have easily charged $1 for this and nobody would have complained. Like the man who sawed off his legs to pay for his farm, he sold himself short.

You Have to Win the Game was developed by J. Kyle Pittman
Play it for free on Steam

Winigc_approved1Win: The Game (it should be called that damnit!) is Chick Approved and ranked on the Indie Gamer Chick Leaderboard

The Old Tree

Think of The Old Tree by Red Dwarf Games as one of those beautiful looking animated shorts that people see at the Oscars and say “looks neat! Ill have to check it out sometime!” Even though they never do. Well, most people who read this review will probably never check out The Old Tree, and that’s a shame. In it, you clear a baby alien’s path as it works it ways to the top of an old tree. The alien thing really doesn’t make any sense. I figured it was more like some kind of stylized bug larva. Given the ending, that seems more logical to me. You don’t control the alien directly. Instead, you click on various objects that clears whatever is holding you up from moving forward. Ten to fifteen minutes of that and you’re done. And a satisfying ten to fifteen minutes it is.

No joke to go with this picture. I just like the art direction.

Beautiful, and yet uncomfortable and creepy. I loved the art direction of The Old Tree.

This kind of short-subject storytelling is something I want to see explored more by indie developers. It seems like it would be a great way to challenge yourself as an artist. Can you tell a compelling tale with a beginning, middle, and an end, work in decent play mechanics, end in under fifteen minutes, and leave the majority of gamers completely satisfied? Maybe even inspired? Red Dwarf Games seems to have here. While it’s not perfect (I had to get stabby with the cursor to figure what exactly I was supposed to click more than once), the art direction is great and the ending is both satisfying and enchanting. The game is free on Steam and on the developer’s website, but what’s here is good enough that they could have gotten away charging a buck for it. The Old Tree is a wonderful example that the length of a game isn’t always proportionate to how big an impression it can make on a gamer. Great game to play with children, too. It has a bedtime story quality to it. I don’t know what else to say. It’s free! Go play it! Seriously, go!

You’re not going, are you?

Don’t make me do it.

Alright, you’ve forced my hand.

its-come-to-this

Works every time. Enjoy the game!

The Old Tree LogoThe Old Tree was developed by Red Dwarf Games
Play it for free on Steam!

IGC_ApprovedThe Old Tree is Chick-Approved and Ranked on the Indie Gamer Chick Leaderboard